Quartets for All for Instruments in F

Any combination and any number of instruments can play together in harmony. Woodwinds, brass, strings, and mallet percussion can have fun playing in like-instrument or mixed-instrument ensembles. Quartets for All covers a wide range of styles and music by composers from baroque through contemporary eras. Difficulty ranges from grades I through III. The pages are laid out in an identical manner in each book so that performers can quickly locate a point for discussion or rehearsal. No page turning is required while playing. Quartets for All meets the needs of classmates, friends, family, and neighbors who wish to play together for festivals, concerts or just for fun. Titles: Galiardo (Bull) * Seventh Symphony [Theme] (Beethoven) * Finlandia (Sibelius) * Tarantella (Prokofiev) * Promenade (Gretchaninoff) * The Death of Ase (Grieg) * March of the Men of Harlech (Welsh) * Prelude (Kabalevsky) * March (Gurlitt) * Happy Tune (Stoutamire) * Angeles We Have Heard on High (Carol) * Folk Song (Bartok)

Quartets for All for C Instruments

Any combination and any number of instruments can play together in harmony. Woodwinds, brass, strings, and mallet percussion can have fun playing in like-instrument or mixed-instrument ensembles. Quartets for All covers a wide range of styles and music by composers from baroque through contemporary eras. Difficulty ranges from grades I through III. The pages are laid out in an identical manner in each book so that performers can quickly locate a point for discussion or rehearsal. No page turning is required while playing. Quartets for All meets the needs of classmates, friends, family, and neighbors who wish to play together for festivals, concerts or just for fun. Titles: Galiardo (Bull) * Seventh Symphony [Theme] (Beethoven) * Finlandia (Sibelius) * Tarantella (Prokofiev) * Promenade (Gretchaninoff) * The Death of Ase (Grieg) * March of the Men of Harlech (Welsh) * Prelude (Kabalevsky) * March (Gurlitt) * Happy Tune (Stoutamire) * Angeles We Have Heard on High (Carol) * Folk Song (Bartok)

Beethoveen: Three Quartets for Piano, Violin, Viola, & Cello, WoO36

When Beethoven wrote these three quartets he was 15 years old and a composition student of Christian Gottlob Neefe in Bonn. They reveal a strong Mozartian influence while the brilliant piano writing already gives a sense of the mature Beethoven. He may conceivably have written the works for the wealthy Mastiaux family in Bonn, as he gave piano lessons to one of the daughters and the other three siblings played violin, viola and violoncello.

The sole source for the quartets is the autograph score which contains many overwritings that shed light on the works’ original conception and possible alternative readings. Although Beethoven never published the pieces in his lifetime and is not known to have performed them, he reused their melodic and thematic material in later compositions.

Beethoven preserved the autograph score to the end of his days – perhaps an indication that the quartets meant a great deal to him. The first edition was published by Artaria in Vienna one year after his death, albeit with the pieces in a different order and with many errors in the musical text.

Bärenreiter’s scholarly performing edition of the Piano Quartets WoO 36 is edited by the Italian pianist Leonardo Miucci, a specialist in the performance practice of keyboard music from this period. The edition not only presents the correct readings, it also sheds light on the young Beethoven’s expressive notation and provides a plausible explanation for the distinction he made between dots and strokes to indicate staccato.

Compatible Quartets for Strings – Cello

21 Quartets That Can Be Played by Any Combination of String Instruments

The Compatible Ensemble Series allows chamber groups to play together, no matter the instrumentation or who wants to play melody, harmony, or bass. This collection contains 21 quartets for string instruments in a variety of styles from classical, to folk, to original compositions. Players get the opportunity to mix-and-match instrumentation and line played, making the instrumentation combinations almost limitless. The flexibility of these quartets makes them a must have for any string player.

Contents:

• Adagio from Clarinet Concerto (Mozart)

• Amazing Grace (Trad)

• Aria “Cario mio ben” (Giordani)

• Caprice from Air and Caprice (Clark)

• Country Gardens (Trad Morris Dance Tune)

• Entertainer, The (Joplin)

• Fanfare (Duncombe)

• German Dance (Haydn)

• Here We Come A-Wassailing (Trad)

• Integrity (Clark)

• Keel Row, The (Irish Folk Song)

• Minuet (Mozart)

• Pomp and Circumstance (Elgar)

• Sarabande (Handel)

• Sonatina (Duncombe)

• Tambourin (Gossec)

• To A Wild Rose (MacDowell)

• Valse Noble (Schubert)

• Waltz (Clementi)

• We Wish You a Merry Christmas (Trad)

• Wild Horseman (Schumann)

Compatible Quartets for Strings – Violin

21 Quartets That Can Be Played by Any Combination of String Instruments

The Compatible Ensemble Series allows chamber groups to play together, no matter the instrumentation or who wants to play melody, harmony, or bass. This collection contains 21 quartets for string instruments in a variety of styles from classical, to folk, to original compositions. Players get the opportunity to mix-and-match instrumentation and line played, making the instrumentation combinations almost limitless. The flexibility of these quartets makes them a must have for any string player.

Contents:

• Adagio from Clarinet Concerto (Mozart)

• Amazing Grace (Trad)

• Aria “Cario mio ben” (Giordani)

• Caprice from Air and Caprice (Clark)

• Country Gardens (Trad Morris Dance Tune)

• Entertainer, The (Joplin)

• Fanfare (Duncombe)

• German Dance (Haydn)

• Here We Come A-Wassailing (Trad)

• Integrity (Clark)

• Keel Row, The (Irish Folk Song)

• Minuet (Mozart)

• Pomp and Circumstance (Elgar)

• Sarabande (Handel)

• Sonatina (Duncombe)

• Tambourin (Gossec)

• To A Wild Rose (MacDowell)

• Valse Noble (Schubert)

• Waltz (Clementi)

• We Wish You a Merry Christmas (Trad)

• Wild Horseman (Schumann)

Compatible Quartets for Strings – Viola

21 Quartets That Can Be Played by Any Combination of String Instruments

The Compatible Ensemble Series allows chamber groups to play together, no matter the instrumentation or who wants to play melody, harmony, or bass. This collection contains 21 quartets for string instruments in a variety of styles from classical, to folk, to original compositions. Players get the opportunity to mix-and-match instrumentation and line played, making the instrumentation combinations almost limitless. The flexibility of these quartets makes them a must have for any string player.

Contents:

• Adagio from Clarinet Concerto (Mozart)

• Amazing Grace (Trad)

• Aria “Cario mio ben” (Giordani)

• Caprice from Air and Caprice (Clark)

• Country Gardens (Trad Morris Dance Tune)

• Entertainer, The (Joplin)

• Fanfare (Duncombe)

• German Dance (Haydn)

• Here We Come A-Wassailing (Trad)

• Integrity (Clark)

• Keel Row, The (Irish Folk Song)

• Minuet (Mozart)

• Pomp and Circumstance (Elgar)

• Sarabande (Handel)

• Sonatina (Duncombe)

• Tambourin (Gossec)

• To A Wild Rose (MacDowell)

• Valse Noble (Schubert)

• Waltz (Clementi)

• We Wish You a Merry Christmas (Trad)

• Wild Horseman (Schumann)

String Quartets – Volume XI Op. 77 and Op. 103

These are the last of the nearly seventy quartets in Haydn's oeuvre. Originally he intended to write a set of six quartets, as so often in the past, but at the time they were written, in 1803, Haydn's health was so poor that he could not fully satisfy the commission from Prince Lobkowitz. Instead he published only two complete quartets as op. 77. Later he allowed an incomplete work consisting of two middle movements to appear as op. 103, adding to the print the portentous words: “Gone is all my strength, old and weak am I.” Musically, however, these quartets are anything but weak: they represent the aged composer virtually at the zenith of his powers. Haydn even went so far as to call op. 77, no. 2, his “most beautiful string quartet.”

The Singer’s Musical Theatre Anthology, Volume 1 – Quartets

A collection of songs from the musical stage, written for quartets of various voice types. The selections are presented in their authentic settings, excerpted from the original vocal scores. Contents: AIDA: Not Me · ASSASSINS: Gun Song · CHESS: Quartet (A Model of Decorum and Tranquility) · CLOSER THAN EVER: Doors · DEAR EVAN HANSEN: Good for You · FALSETTOS: 4 Jews in a Room Bitching · FOLLIES: You're Gonna Love Tomorrow/Love Will See Us Through · THE FULL MONTY: Scrap · HAIRSPRAY: Without Love · IN THE HEIGHTS: No Me Diga · KISS ME, KATE: Tom, Dick or Harry · KISS OF THE SPIDER WOMAN: Dear One · THE MOST HAPPY FELLA: How Beautiful the Days · ON THE TOWN: Some Other Time · PARADE: A Rumblin' and a Rollin' and The Factory Girls/Come Up to My Office · THE SECRET GARDEN: Quartet · THE SOUND OF MUSIC: Maria · SWEENEY TODD: Johanna (Quartet) · [TITLE OF SHOW]: Nine People's Favorite Thing · WEST SIDE STORY: I Feel Pretty.

The Singer’s Musical Theatre Anthology, Volume 1 – Quartets w/ Audio

A collection of songs from the musical stage, written for quartets of various voice types. The selections are presented in their authentic settings, excerpted from the original vocal scores. This edition includes access to online recordings of professional piano accompaniments.

Contents: AIDA: Not Me • ASSASSINS: Gun Song • CHESS: Quartet (A Model of Decorum and Tranquility) • CLOSER THAN EVER: Doors • DEAR EVAN HANSEN: Good for You • FALSETTOS: 4 Jews in a Room Bitching • FOLLIES: Love Will See Us Through/You're Gonna Love Tomorrow • THE FULL MONTY: Scrap • HAIRSPRAY: Without Love • IN THE HEIGHTS: No Me Diga • KISS ME, KATE: Tom, Dick or Harry • KISS OF THE SPIDER WOMAN: Dear One • THE MOST HAPPY FELLA: How Beautiful the Days • ON THE TOWN: Some Other Time • PARADE: A Rumblin' and a Rollin' and The Factory Girls/Come Up to My Office • THE SECRET GARDEN: Quartet • THE SOUND OF MUSIC: Maria • SWEENEY TODD: Johanna (Quartet) • [TITLE OF SHOW]: Nine People's Favorite Thing • WEST SIDE STORY: I Feel Pretty.