Complete Folksong Arrangements

This landmark publication includes 61 songs, combining the contents of the seven published books of Britten folksong arrangements in High and Low Voice editions. Some of the songs have never before been transposed. The songs of Volume 6, for voice and guitar, have been transcribed for voice and piano for this edition.

Editor Richard Walters has done a splendid job of bringing this collection to publication, not only assembling the material but also writing an excellent, informative, and thought provoking Preface that gives insight into Britten's life and work…Having all these songs together in one volume is a real boon to voice teachers and students alike, not to mention accompanists…All music libraries and voice studios will want to own this collection. —Journal of Singing

Contents:

VOLUME 1: BRITISH ISLES:
The Salley Gardens • Little Sir William • The Bonny Earl o' Moray • O Can Ye Sew Cushions? • The Trees They Grow So High • The Ash Grove • Oliver Cromwell

VOLUME 2: FRANCE:
La Noel Passee • Voici le Printemps • Fileuse • Le Roi s'en va-t'en Chasse • La Belle est au Jardin d'amour • Il es quelqu'un sur terre • Eho! Eho! • Quand j'etais chez mon pere •

VOLUME 3: BRITISH ISLES:
The Plough Boy • There's none to Soothe • Sweet Polly Oliver • The Miller of Dee • The Foggy, Foggy Dew • O Waly, Waly • Come you not from Newcastle?

VOLUME 4: MOORE'S IRISH MELODIES:
Avenging and Bright • Sail on, Sail on • How Sweet the Answer • The Minstrel Boy • At the Mid Hour of Night • Rich and Rare • Dear Harp of my Country! • Oft in the Stilly Night • The Last rose of Summer • O the Sight Entrancing

VOLUME 5: BRITISH ISLES:
The Brisk Young Widow • Sally in Our Alley • The Lincolnshire Poacher • Early One Morning • Ca' the Yowes

VOLUME 6: ENGLAND:
I Will Give My Love an Apple • Sailor-boy • Master Kilby • The Soldier and the Sailor • Bonny at Morn • The Shooting of His Dear

EIGHT FOLKSONG ARRANGEMENTS (1976):
Lord! I Married Me a Wife • She's Like the Swallow • Lemady • Bonny at Morn • I Was Lonely and Forlorn • David of the White Rock • The False Knight Upon the Road • Bird Scarer's Song

OTHER ARRANGEMENTS:
Tom Bowling • The Crocodile • Dink's Song • Greensleeves • The Holly and the Ivy • I Wonder as I Wander • Pray Goody • The Deaf Woman's Courtship • Soldier, Won't You Marry Me? • The Stream in the Valley

Folksong Arrangements, Volume 1: British Isles

Contents:

VOLUME 1: BRITISH ISLES:
The Salley Gardens • Little Sir William • The Bonny Earl o' Moray • O Can Ye Sew Cushions? • The Trees They Grow So High • The Ash Grove • Oliver Cromwell

Come all Ye Sons of God

TB

Cantata for mens chorus (TB) about the Priesthood, arranged for unison voices for half the arrangement—appropriate for a sacrament meeting program and can easily include all members of the Priesthood from the Deacons to the High Priests.

Numbers included in this cantata:
“The Glorious Restoration Has Begun”
“The Holy Priesthood Was Restored”
“The Power of God”
“Come All Ye Sons of God”

A separate part for oboe and cello (#09004)

Composer: Lynn S. Lund
Lyricist: Gerald N. Lund
Difficulty: Medium-easy / medium acc.
Performance time: 18:00

References: Doctrine and Covenants 33:5–11, Doctrine and Covenants 133:7–8, 56

Jesus, the Very Thought of Thee

SATB

Hymn arrangement for mixed chorus (SATB), medium voice solo and piano, one verse sung a cappella. Highest soprano note: E.

Composer: David L. Ellsworth
Lyricist: Bernard of Clairvaux
Difficulty: Medium / medium acc.
Performance time: 2:45

Reference: Psalm 104:34, Enos 1:27

Let Every Heart Prepare Him Room

SATB

Christmas cantata for mixed chorus (SATB), solos for male and female voices (medium range), piano, and narration, on the Nativity story, including original music and choruses from “Angels We Have Heard on High” and “Joy to the World.”

Composer: Lynn S. Lund
Lyricist: Gerald N. Lund
Difficulty: Medium / medium-difficult acc.
Performance time: 25:00 min.

Reference: Alma 5:50, Psalm 97:1, Psalm 98:4–9

The Wind is a Lion (from Promised Valley)

Vocal solo for medium-high voice, from the musical Promised Valley by Crawford Gates.

Reference: Psalm 37:3–5, Doctrine and Covenants 41:1, Doctrine and Covenants 76:5

Sacred Solos of Dan Forrest

Low Voice

Ten choral anthems transcribed by the composer for low voice. Low voice approximate ranges are from G-C.

Contents:

  • And Can It Be?
  • Arise, My Soul, Arise (violin part included in the book)
  • A Cradle Carol
  • Cry No More
  • How Great Thou Art
  • The King of Love My Shepherd Is
  • Lord of the Small
  • My Jesus I Love Thee
  • An Offering
  • The Work of Christmas

    The collection is also available in Medium Voice (B&#9837 -E&#9837) and High Voice (D-G).

  • Sacred Solos of Dan Forrest

    Medium Voice

    Ten choral anthems transcribed by the composer for medium voice. Medium Voice vocal ranges are approximately B&#9837 -E&#9837.

    Contents:

  • And Can It Be?
  • Arise, My Soul, Arise (violin part included in the book)
  • A Cradle Carol
  • Cry No More
  • How Great Thou Art
  • The King of Love My Shepherd Is
  • Lord of the Small
  • My Jesus I Love Thee
  • An Offering
  • The Work of Christmas

    The collection is also available in High Voice (D-G) and Low Voice (G-C).

  • Sacred Solos of Dan Forrest

    High Voice

    Ten choral anthems transcribed by the composer for high voice. High Voice range is approximately D-A&#9837.

    Contents:

  • And Can It Be?
  • Arise, My Soul, Arise (violin part included in the book)
  • A Cradle Carol
  • Cry No More
  • How Great Thou Art
  • The King of Love My Shepherd Is
  • Lord of the Small
  • My Jesus I Love Thee
  • An Offering
  • The Work of Christmas

    The collection is also available in Medium Voice (B&#9837-E&#9837) and Low Voice (G-C).

  • Six Songs on Poems by Edna St. Vincent Millay

    Medium Voice

    The Millay settings are remarkable for their almost symphonic textures and pronounced sense of drama. Bonds’ music is compelling and as profoundly moving as Millay’s poems themselves – a feat rarely if ever matched by other composers who have set these iconic poems to music. Now published for the first time, these settings are poised to assume their rightful position as milestones in twentieth-century art song. (For original/high voice, see 491-03177)

    Contents:

    • Women Have Loved Before as I love Now

    • Hyacinth

    • Four Songs:
    &nbsp &nbsp 1. Even in the Moment
    &nbsp &nbsp 2. Feast
    &nbsp &nbsp 3. I Know My Mind
    &nbsp &nbsp 4. What Lips My Lips Have Kissed