This instrumental solo begins by painting a picture of a soul who wants to serve the Lord in big and grand ways. It) softens as the first verse begins simply, as the text reads: “It may not be on a mountain height,” signifying a willingness to serve God, though the disciple may be unprepared for tasks that are mundane, lowly, or difficult. The piece blossoms in the second verse as possibilities begin to come to view. After an interlude of tension, the third verse opens in grand strains and continues on to a beautiful final verse and chorus that presents the glorious knowledge that God loves and has a place for each of his children. Like other instrumental works from Beata Music, this piece comes with instrument parts for C and Bb instruments, containing markings for violin, flute, oboe, and clarinet. This work includes additional parts for viola and cello.
Search Results for: Clarinet
O My Father for Violin, Flute, or Oboe solo & Piano
The well-loved hymn is arranged here for solo instrument and piano. The melody is allowed to sing simply and reverently with an unassuming accomaniment that rewards the listener with subtle but beautiful countermelodies. Like other instrumental works from Beata Music, this piece comes with instrument parts for C and Bb instruments, containing markings for violin, flute, oboe, and clarinet.
Measures of Success, Book 2

A Comprehensive Musicianship Band Method
B-flat Clarinet
Measures of Success was created to ignite musical curiosity, to unite conceptual knowledge with performance skills, to foster understanding of the many ways that people share and interact with music, and to assess each student's continued musical growth.
Measures of Success, Book 1

A Comprehensive Musicianship Band Method
B-flat Clarinet
Measures of Success was created to ignite musical curiosity, to unite conceptual knowledge with performance skills, to foster understanding of the many ways that people share and interact with music, and to assess each student's continued musical growth.
Jazz Conception: Trumpet (21 Solo Etudes for Jazz Phrasing, etc)

21 Solo Etudes for Jazz Phrasing, Interpretation, and Improvisation
Jazz Conception is an exciting way for players at all levels to learn the language of jazz! Each Jazz Conception: Trumpet Book and CD set features 21 solo etudes based on chord changes to standards and blues. See and hear how a well-known soloist phrases, articulates, and plays along with or without the soloist on the CD. Play along with one of today's finest, swinging New York rhythm sections: Mike LeDonne on piano, Dennis Irwin on bass, and Kenny Washington on drums. The book starts out fairly easy, then get progressively more difficult. Use the etudes as a bridge to solos of the masters that are usually more complicated and involved. Learn melodies and lines that will give you a solid jazz vocabulary and musicality. Use the book and CD sets for private lessons, for self-study, or in any combination up to a full jazz ensemble, including flute and clarinet. If you are more advanced you may want to use the book to develop your sight reading abilities, for transcribing the etudes off the MP3 CD (then check against the book), or for just having fun playing along with a great jazz rhythm section. Use as an improvisation study, learning how to construct a swinging, logical solo—works especially well in combination with the Study Guide (item #01-ADV14730).
Titles: Groove Blues * Amen * A Doll * Total Blues * Grease * Rose * Joe's Thing * Proxy * Father Song * Ind Line * Miles * Blue Minor * Autumn * Friends * Great Love * Two Plus Two * Lunar * Tunisia * Bird Blues * Somewhere * Passage.
Hymn of Promise, Medium Vocal Solo

Natalie Sleeth's popular choral anthem and hymn, also known as “In the Bulb There Is a Flower,” has been given a lovely new treatment by Tom Fettke for SATB choirs. The provocative text relates both to our present life and our hope of eternal life, as expressed in I Corinthians 15:35-58. This fresh setting emphasizes the resurrected life as it builds to the final “victory” stanza with driving rhythm and a change to common meter (4/4). This arrangement is also available in a medium-voice vocal solo in the key of F.
The orchestration by Camp Kirkland contains a Conductor's Score and parts for: Flute 1 & 2, Oboe, Clarinet 1 & 2, Horn 1 & 2, Alto Sax 1 & 2 (substitute for Horn 1 & 2), Trombone 1 & 2, Tenor Sax/Baritone TC (substitute for Trombone 1 & 2), Trombone 3/Tuba, Percussion 1 & 2, Harp, Violin 1 & 2, Viola, Clarinet 3 (substitute for Viola), Cello/Bassoon and String Bass, Keyboard String Reduction
Come To Me, My Love

SATB
This mysterious poem by Christina Rossetti comes to life through the haunting music by Trevor Maloney. Unique tonalities and divisi make this a good challenge for high school level choirs. The unusual leaps in the oboe part add to the mystery.
Finale from The New World – Score Only

Expose your students to one of the great symphonies of the 19th century. Numerous teaching opportunities are present for articulation, phrasing, and the clarinet register key. A great contest or concert piece exploring the music of Dvorák! (4:30)
Surround Him with Praise

“Te Deum Laudamus” has long been a staple liturgical text of praise. In this setting, William David Young matches it with Bach's beloved 10th movement of the cantata, Herz und Mund und Tat und Leben (BWV 147) — more commonly known as “Jesu, Joy of Man's Desiring.” The familiar pastoral mood of the music enhances the majesty of the text and lends a freshness to both. It is not difficult and is a welcome addition to any general worship service. Optional C instrument or B-flat clarinet obbligato are available. Related scripture: Psalm 145:1; Isaiah 6:2,3; Ephesians 1:19-23; Revelation 4
One Small Child – Medium Voice

The charm and grace of David Meece's contemporary Christmas classic shines through in this sensitive choral setting from Lloyd Larson. The poetic images and haunting melody are beautifully woven into a gently flowing, richly satisfying, artistic musical fabric. Accompaniment can be piano, handbells, or full orchestra. This top-seller is included in Lloyd's Christmas musical, Emmanuel–God with Us! (8250) and the SSA setting is in Lloyd's collection, Women in Song IV (8581). The Orchestration by Mark Kellner includes a Conductor's Score and parts for: Flute, Oboe, Clarinet in B-flat, Horn in F, 2 Trumpets in B-flat, 2 Trombones, Percussion, Timpani, Violin 1, Violin 2, Viola, Cello and Bass
