Rubank Intermediate Method – Clarinet

One of the most widely used series of methods for individual or like-instrument class instruction. Using a very well-rounded approach including scales, arpeggios, technical studies, studies for musicianship, articulation studies, solos, duets, and studies devoted to the special needs of each instrument, this series provides a fantastic wealth of material for all student musicians.

Concert and Contest Collection for Bb Clarinet w/ Online Audio & Printable Piano

This top-rated collection of solo literature from the celebrated Rubank catalog is known by teachers and students everywhere. Each edition offers a superb variety of solos customized for that instrument. Most state solo/ensemble contest lists include several solos from this collection. In addition to the solo book, this item includes online access to:

• Full-performance and accompaniment-only audio tracks

• PDF piano accompaniment – download and print only what you need

• PLAYBACK+ A multi-function audio player that allows you to adjust tempo without changing pitch, change keys, and create practice loops – available exclusively from Hal Leonard. Online audio/media is accessed at halleonard.com/mylibrary

Contents: Adagio from Clarinet Concerto, K. 622 (Mozart) • Allegretto Fantasia (Miskow) • Allegretto Grazioso (from Sonata in F Minor – Brahms) • Aria and Scherzo (Gabucci) • Ballade (Gade) • Canzonetta, Op. 19 (Pierné) • Chanson, Op. 35 No. 3 (Gliere) • Fantasy-Piece, Op. 73 No. 1 (Schumann) • Menuet from Divertimento in D, K. 334 (Mozart) • Nocturne (Bassi) • Nocturne (Verhey) • Promenade (Delmos) • Romance (Becker) • Scene and Air (Bergson) • Scherzo in C Minor (Koepke)

Also available:

• Solo Book only (HL04471630)

• Piano Accompaniment Book (HL04471640)

Sonata in A Minor for Bass Clarinet

This three movement sonata is one of several works by Marcello written for string bass. It is an excellent composition for bass clarinet or Bb contra-bass clarinet in style as well as range. Musically, and technically, this composition is challenging and rewarding for either the young aggressive student or the mature musician who enjoys the special flavor of the Baroque period. Movements: I. Adagio-Allegro, II. Largo, III. Allegro.

Bach Chorales for Band – Clarinet 1 Part

The 28 chorales in this collection are suitable for concert band/wind ensemble as well as woodwind/brass choir, saxophone quartet, trombone quartet, or mixed woodwind/brass groups. They are well-suited for use as warm-ups, for study of precise intonation and ensemble, and for concert performance. Helpful instructions to the director are included for varying dynamics through instrumentation and balance, and the enhanced index includes the key and meter of each chorale. Also included are three concert selections: Chorale Prelude on “I Call to Thee, Lord Jesus Christ”; Final Chorus from St. Matthew Passion; Chorale Prelude on “We All Believe in One God (Giant Fugue)”

Bach Chorales for Band – Clarinet 2 Part

The 28 chorales in this collection are suitable for concert band/wind ensemble as well as woodwind/brass choir, saxophone quartet, trombone quartet, or mixed woodwind/brass groups. They are well-suited for use as warm-ups, for study of precise intonation and ensemble, and for concert performance. Helpful instructions to the director are included for varying dynamics through instrumentation and balance, and the enhanced index includes the key and meter of each chorale. Also included are three concert selections: Chorale Prelude on “I Call to Thee, Lord Jesus Christ”; Final Chorus from St. Matthew Passion; Chorale Prelude on “We All Believe in One God (Giant Fugue)”

Bach Chorales for Band – Clarinet 3 Part

The 28 chorales in this collection are suitable for concert band/wind ensemble as well as woodwind/brass choir, saxophone quartet, trombone quartet, or mixed woodwind/brass groups. They are well-suited for use as warm-ups, for study of precise intonation and ensemble, and for concert performance. Helpful instructions to the director are included for varying dynamics through instrumentation and balance, and the enhanced index includes the key and meter of each chorale. Also included are three concert selections: Chorale Prelude on “I Call to Thee, Lord Jesus Christ”; Final Chorus from St. Matthew Passion; Chorale Prelude on “We All Believe in One God (Giant Fugue)”

Bach Chorales for Band – Bass Clarinet Part

The 28 chorales in this collection are suitable for concert band/wind ensemble as well as woodwind/brass choir, saxophone quartet, trombone quartet, or mixed woodwind/brass groups. They are well-suited for use as warm-ups, for study of precise intonation and ensemble, and for concert performance. Helpful instructions to the director are included for varying dynamics through instrumentation and balance, and the enhanced index includes the key and meter of each chorale. Also included are three concert selections: Chorale Prelude on “I Call to Thee, Lord Jesus Christ”; Final Chorus from St. Matthew Passion; Chorale Prelude on “We All Believe in One God (Giant Fugue)”

Essential Musicianship for Band – Ensemble Concepts – Bass Clarinet

Ensemble Concepts, the highly acclaimed ensemble method by Eddie Green, John Benzer and David Bertman, is designed to help intermediate to advanced level ensembles acquire solid performance skills while also developing overall musicianship. Every aspect of ensemble development is introduced individually, in developmental order, then combined for more advanced practice. The exercises fit easily into your warm-up routine, saving you precious rehearsal time.

Essential Musicianship for Band is the perfect tool to assist your ensemble in developing the skills needed to read, rehearse, and perform band repertoire with precision and artistry. Using proven methods for superior sound production and ensemble technique, your students will transform printed notes into a meaningful musical experience. Fits easily into the traditional concert band setting.

Essential Musicianship for Band – Ensemble Concepts – Clarinet

Ensemble Concepts, the highly acclaimed ensemble method by Eddie Green, John Benzer and David Bertman, is designed to help intermediate to advanced level ensembles acquire solid performance skills while also developing overall musicianship. Every aspect of ensemble development is introduced individually, in developmental order, then combined for more advanced practice. The exercises fit easily into your warm-up routine, saving you precious rehearsal time.

Essential Musicianship for Band is the perfect tool to assist your ensemble in developing the skills needed to read, rehearse, and perform band repertoire with precision and artistry. Using proven methods for superior sound production and ensemble technique, your students will transform printed notes into a meaningful musical experience. Fits easily into the traditional concert band setting.