SSA
Feature the women in this fantastic medley. Each of the three songs is a golden Broadway standard. The medley is bound together textually as well as musically. A great addition to SSA pop repertoire. A must have!
Contents:
• Big Spender (from “Sweet Charity”)
Music: Cy Coleman; Text: Dorothy Fields
• The Gold Diggers' Song (We're in the Money)
Music: Harry Warren; Text: Al Dubin
• Whatever Lola Wants (Lola Gets) (from “Damn Yankees”)
Music: Richard Adler & Jerry Ross
TB
Music & Text: Tayla Parx, Brendon Urie, Ilsey Juber, Jacob Sinclair, Jenny Owen Young, Jonas Jeberg, Lauren Pritchard, Sam Hollander, and William Lobban Bean
Show choirs rejoice! This rock-pop anthem is PANIC! AT THE DISCO’s highest charting hit to date. Alan Billingsley’s accessible arrangement is a faithful takedown of the original, equally effective in all voicings. The aspirational message is about rising to the top and a desire to “be that one in a million.” Three-part mixed choirs will enjoy the SAT(B) voicing as the baritone part is optional.
2-Part
Music & Text: Tayla Parx, Brendon Urie, Ilsey Juber, Jacob Sinclair, Jenny Owen Young, Jonas Jeberg, Lauren Pritchard, Sam Hollander, and William Lobban Bean
Show choirs rejoice! This rock-pop anthem is PANIC! AT THE DISCO’s highest charting hit to date. Alan Billingsley’s accessible arrangement is a faithful takedown of the original, equally effective in all voicings. The aspirational message is about rising to the top and a desire to “be that one in a million.” Three-part mixed choirs will enjoy the SAT(B) voicing as the baritone part is optional.
SAT(B)
Music & Text: Tayla Parx, Brendon Urie, Ilsey Juber, Jacob Sinclair, Jenny Owen Young, Jonas Jeberg, Lauren Pritchard, Sam Hollander, and William Lobban Bean
Show choirs rejoice! This rock-pop anthem is PANIC! AT THE DISCO’s highest charting hit to date. Alan Billingsley’s accessible arrangement is a faithful takedown of the original, equally effective in all voicings. The aspirational message is about rising to the top and a desire to “be that one in a million.” Three-part mixed choirs will enjoy the SAT(B) voicing as the baritone part is optional.
What a holiday mood setter! This lovely ballad is heard every season. Now your choir can share the beautiful sentiment expressed by this extraordinary lyric in a great Mac Huff setting. Bring some merriment into the hearts of all your audience members by presenting this one!
Written at the request of Sylvester Stallone, this chart-topping hit by Survivor was also featured in the movie of the same name. Combined sales of the original vinyl recording and digital download make this one of the best-selling singles of all time. Don't miss the “thrill of the fight!”
Add a touch of holiday humor to your next concert with this pop Christmas classic! The arrangement is singable yet captures all the fun of the original song.
Jon Batiste's cover for Pixar's Soul brings this feel-good Curtis Mayfield song to a whole new generation. Built on a soulful groove, jazzy twists, and and upbeat vibe, it's everywhere! First made famous by The Impressions, a 60s group of which Mayfield was a member, this happy hit has stood the test of time, recorded by many diverse artists over the years. The arranger adds his own authentic touch with some gospel inflections and interjections. “It's all right, have a good time, 'cause it's all right!”
2-Part
Warning: if you are averse to earworms, best to skip this one. Endorsement: if you're looking to delight and excite your 2-part singers, there's nothing better! This Tones and I novelty has surpassed two billion streams on Spotify, set records on Shazam, and provided the soundtrack to millions of user-made videos on YouTube, TikTok, Instagram, and other social media platforms. The SoundTrax accompaniment provides a buoyant synth-pop groove and just the right amount of support for younger singers. If you don't know it, no worries, your kids do!
Music & Text: Becky Hobbs & Don Goodman
Choral Octavo Accompaniment CD
Alabama recently released this angelic ballad as a single. Pete's versatile arrangement is perfect for concert, festival or show. The moving text is the key to this song. Combine elementary, middle and high school choral ensembles for a momentous final concert number. It's accessible and powerful!
